Most recently to be found helping Peter Gabriel transform the cover versions on Scratch My Back, John Metcalfe here furnishes cellist Matthew Barley with a series of pieces mostly composed for solo cello and electronics.
Using computerised octave-splitters and delay units, Barley achieves a surprising depth of sound and harmonic richness, particularly on the title-track, where echoing wisps of electronic sound flutter around the cello like butterflies; Lonely Bay, on which the concentration necessitated by using a 40-second loop imposes a deep meditative calm; and The Appearance of Colour, where the slow accretion, note by note, of a single 25-note chord produces an imposing serenity.
DOWNLOAD THIS Constant Filter; The Appearance of Colour; Lonely Bay
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